The Mourners of Bayal

عزاداران بیل

$22.00

Description

The Mourners of Bayal is a collection of eight interrelated stories centered around the people of Bayal, an imaginary Iranian village in the middle of nowhere. This work is a penetrating allegory of the manners, beliefs, hopes, and desperations of rural Iranians in the early seventies. The Mourners of Bayal is a very early example of magical realism. It precedes the works of masters of the genre, José Saramago, and Gabriel García Márquez. The most famous of the eight stories is the fourth (they are numbered without a title) which was adapted into a popular movie, The Cow. While away, Mashdi Hassan’s cow, the center of his universe, dies. His wife is desperate and no one dares to tell him the truth. He gradually finds out, descends into madness and takes the identity of the cow. The townspeople attempt to cure him to no avail. He dies while being taken to the regional hospital.

Publication details

Binding

Softcover

Dimensions

5½ x 8½ inches

ISBN

978-1-588141-49-1

Pages

212

Publication Date

2018

Publisher

Ibex Publishers

Author

Edris Ranji (translator)

Gholam-Hossein Sa’edi غلامحسین ساعدی

Gholam-Hossein Saedi (1936-1986) is the most important twentieth century Persian dramatist. He was also a prolific ethnographer, editor, dramatist, and fiction writer. A psychiatrist by training, his psychological insights are evident in his writings. With more than forty works of fiction, non-fiction, and drama to his credit, Saedi was an embodiment of the literary spirit of his generation which had its beginning in the early years after the Second World War, and died with the installation of clerical rule in 1979. Born in 1936 in Tabriz to a middle-class family, he remained in his home town until he completed his medical degree in 1960. However, his interests lay more in writing and exposing the social and political ills of his country. A theme common in his writings is his objection to the eras mindless following of the Western mores. His writings were mainly known in literary circles until 1968 when the director Dariush Mehrjui made a film based on a script by Saedi. The Cow became a critical success both in Iran and abroad and brought Saedi popular recognition. After the Islamic revolution, Saedi fled to exile in France, where he resurrected the literary magazine Alefba. In 1985, Gholam-Hossein Saedi, mainly because of his addiction to alcohol, passed away in a Paris hospital.